LALA RAŠČIĆ - "Bakar gori"

Kum izložbe Damir Imamović

Galerija i umetnička rezidencija Hestia - 12. mart 5.maj 2023.

U galeriji i umetničkoj rezidenciji Hestia, 12. marta 2023. otvorena je izložba radova umetnice Lale Raščić – ‘’Bakar gori’’. Izložbu je otvorila kreativna direktorka galerije Anja Obradović Bourrellis, koja je predstavila kuma izložbe, muzičara Damira Imamovića, koji je mnogobrojne posetioce bliže upoznao sa radom umetnice, ali i samom izložbom ‘’Bakar gori’’.

Damir Imamović, bosanskohercegovački muzičar, pevač, kompozitor i interpretator tradicionalne bosanske sevdalinke, kao kum ove izložbe i prijatelj umetnice, osvrnuo na Lalin rad i činjenicu da se ova izložba oslanja na tradiciju s jedne strane i grčku mitologiju s druge strane. Izložbu “Bakar gori” čine upravo dva kruga koji predstavljaju tradiciju i mitologiju – s jedne strane reč je o tepsiji –   simbolu folklorne tradicije tepsijanja, a sa druge o gorgoneju –  apotropejskom prikazu Meduzine glave iz doba Antičke Grčke.  Izložba je multimedijalna i čine je predmeti od bakra, video radovi, grafike i instalacije.

Kustoskinja izložbe je Neva Lukić.

foto: Nemanja Knežević

LALA RASCIC - "Copper On Fire" in Hestia gallery

The exhibition was opened on March 12th 2023. by Anja Obradović Bourrellis, the owener of Hestia gallery. Muscian, Damir Imamović was the godfather of Lala Raščić's exhibition.

Two circles represent the backbone of this exhibition. On the one hand – the pan,  a symbol of the folklore tradition, and on the other a “gorgoneion” – an apotropaic representation of Medusa`s head in the archaic age of Greece.

In accordance with the previous multimedia research approach to work and long-term projects that often deal with the recontextualization of various myths, mythological characters or traditions, Raščić continues to deal with the imposed patriarchal social norms and the rescue of traditions from folklorization created under influence of national policies.

In the process of creating this exhibition, the artist refers to various literature, including the essay “The Laugh of the Medusa” by the French feminist author Hélène Cixous from 1975., in which the author sets as the goal of the theoretical concept the creation of a feminist voice, i.e. its release, which is possible only through expression – the act of writing.

excerpt from the catalogue text: Neva Lukić

menu linkedin facebook pinterest youtube rss twitter instagram facebook-blank rss-blank linkedin-blank pinterest youtube twitter instagram