BILJANA ĐURĐEVIĆ
"Poslednja večera" u galeriji Hestia
U umetničkoj rezidenciji i galeriji Hestia od 28.februara do 25. maja 2024. postavljena je izložba slika umetnice Biljane Đurđević, pod nazivom “Poslednja večera".
Izložba se bavi opštom slabošću društva izazvanom sve većom instrumentalizacijom ljudskog bića od strane industrije, tehnologije i medija, kako na globalnom tako i na lokalnom nivou. „Poslednja večera“ nastavak je višegodišnjeg projekta „Studija slučaja“ koji obuhvata slikarstvo, animacije i grafički roman, a gde je fokus upravo na eksploatisanom, umornom telu – našem zajedničkom, globalnom telu.
Otvaranje: video Preventer
scroll down for English
„Poslednja Večera“ je postmoderni, gotovo epski projekat, lišen mitologije i herojskih dela. Protagonisti su napustili scenu, a narativ je prigušen nestajanjem energije savremenog čoveka. Prostor na slikama zauzimaju krevet na sprat, stolice, stolovi, dakle, elementi domaćinstva. Međutim, reč domaćinstvo zvuči previše toplo, asocira na dom, dok su ovi elementi hladni, mogli bi da pripadaju školama, bolnicama, fabrikama, psihijatrijskim i svim ustanovama koje mogu da podsećaju na zatvor, te naravno pripadati i samom zatvoru.
Tradicionalno, Hestia je i za ovu izložbu birala kuma. Kum Biljanine izložbe bio je scenarsita Boban Jevtić, koji je imao zapaženo vođenje kroz ovu izložbu. Osim toga, izložba je beležila izuzetnu posetu uz redovna vođenja kustoskinje Neve Lukić.
BILJANA ĐURĐEVIĆ - "The Last Supper" at Hestia Gallery
Biljana Đurđević showed her latest production at the exhibition titled "The Last Supper", in Hestia Gallery, from February 28 to May 25, 2024. The exhibition addresses the general weakness of society caused by the increasing instrumentalization of the human being by industry, technology and the media, both globally and locally. "The Last Supper" is a continuation of the "Case Study" project, which includes painting, animations and a graphic novel, where the focus is precisely on the exploited, tired body - our common, global body.
"The Last Supper" is a postmodern, almost epic project, devoid of mythology and heroic deeds.The protagonists have left the stage, and the narrative is muted by the fading energy of modern man. The space in the pictures is occupied by a bunk bed, chairs, tables, therefore, household elements. However, the word household sounds too warm, it is associated with a home, while these elements are cold, they could belong to schools, hospitals, factories, psychiatric and all institutions that can remind of a prison, and of course belong to the prison itself.
The Godfather of the exhibition was screenwriter Boban Jevtić, who had a notable guided tour throughout this exhibition. In addition, the exhibition recorded an exceptional visit under the regular guidance of the curator Neva Lukić.
